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To crop and manipulate multiple layers at once, hold down the and keys, and hover your mouse over each layer you want to perform the operations on.

Before you perform any editing, make sure you have saved your image because sometimes the changes you make are permanent. If you are making temporary changes, you should put the image in a state of capture (check out the next section) and then, when you’re ready, save the image as a _JPEG_ file.

To save your image as a JPEG file, follow these steps:

**1.** **Select Image > Save.**

The Save dialog box, shown in Figure 7-7, appears.

**2.** **Navigate to the location where you want to save the JPEG file, select the Save As option, and change the Save As Type to JPEG.**

**3.** **When the Save dialog box appears again, in the File name box type a name for the file and save it.**

You can also select the _.jpg_ extension if you prefer.

**Figure 7-7:** Use this dialog box to save your photos as a JPEG file.

Creating a Capture

Photos can become damaged or corrupted over time. When you shop at a retail or online store, your photos may also become corrupted as you move them from one computer to another. This problem may be exacerbated if you open an image and make changes to it. When you open an image that is corrupted or damaged, you need to create a capture, a snapshot of the image. Any changes you make to the image are saved into a separate layer that is not directly editable; any damage to the image is saved into a separate layer that is editable. When you save your image, you’re creating a JPEG file that preserves both the current and the past changes to the image.

You can create a capture from either the layer that contains the image you want to save or from a layer with any edits you’ve made. The better your computer, the more you’ll like capturing images and working with them on a capture.

If you’re working on a large-format print or creating a presentation slide, it’s a good idea to capture your work on a separate layer before you save the final file.

To create a capture, follow these steps:

**1.** **Make any edits to the photo, and save the changes

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Similar to pixelated photographs, this image is largely comprised of pixel blocks; yet, if you look closely, you can make out several lines. These lines are more easily seen if the color is turned up a little.

The smooth flowing curve in this picture can be seen better when the image is enlarged.

Do you notice that some lines are stronger than others? Some of the lines are relatively smooth, and some appear as distinct pen strokes. When the photograph is altered in Photoshop, this could also be used to make a few lines look stronger than others.

In Photoshop Elements, you can create different effects to help draw the attention of the viewer and heighten the impact of these lines. To edit the effect of a strong line, simply select it (click on it) and then click on the eye symbol at the top right of the editing tool bar (the black eye).

Do you see the effect? The line has become darker and darker. Clicking the eye again puts the line back to its original color.

As you can tell, Photoshop Elements offers a lot of tools for adding or changing the colors in your image. Similar to traditional Photoshop, you can use the tools at the top right of the screen (the paintbrush, histogram and other tools for coloring and editing).

By clicking on the “select” tool, you can select and copy any part of an image that you want. After the image is copied, you will be able to paste it in another file.

With the magic wand tool, you can select any areas of the image and copy it. Like the select tool, the magic wand can be used to paste parts of the image.

If you select a part of the image with the “select” tool, you can use the “magic wand” tool to select similar areas of the image.

You can also use the lasso tool to select an area of the image. The outline of the area can be seen by clicking on the image, at the bottom right of the tool bar.

Using the lasso tool, you can select the left area that you want to select and then drag the mouse cursor to the right area. The outline of the area will be drawn on the right side of the image. You can also use the “regular” brush or “wet” brush to select areas of the image.

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EXCLUSIVE: As the post-9/11 world in which we live and watch unfold and the enemy adapts, and as this country is again at war and the nation itself is a battlefield, the Los Angeles Times is moving forward with a plan to bring a team of reporters and photographers to the front lines to chronicle these events.

The strategy is to allow our staff to write from the field, to capture the truth of what is happening and why, and then to develop that material in a way that looks back at the story as it is unfolding.

Like the Los Angeles Times’ coverage of the war in Iraq, the war in Afghanistan, and the current war on terror in Iraq, we will be working with our reporters and photographers to get the story and take advantage of the immediacy of the culture in which this conflict is unfolding, and the immediacy of the information available to the public.

There are, however, some limits.

There will be no photographing of American soldiers fighting American soldiers. And the Times will not be covering the events of a foreign nation, nor will it be covering the domestic scene.

This is not a plan to look for a Pulitzer Prize. It is a plan to capture the truth, as we understand it, as it unfolds.

Rob McLean, The Times’ director of photography, began an early prototype of the program in the Persian Gulf as the Iraqi war began more than two years ago. He has since made more than 50 pictures to accompany numerous Times stories.

“We sent a few our photographers to Beirut during the civil war to capture images of the scene,” he said, “and now the plan is to send reporters to do the same thing in Kabul.”

What we are doing is invaluable. We are not only going to photograph the war, we are going to become a participant in the war, reporting from the front lines.

The Times’ decision on this program was based on strong support from our managing editors and from McLean. The managing editors are encouraging photographers and reporters to respond to the plan and understand their role in helping tell the truth of the war, and the readers are being told that we are moving forward.

This is not a stunt. It is an initiative that is being undertaken to get the story and to provide an on-the-scene look at the conflict, which is unfolding right now.

McLean has been in Kabul

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In case you missed it (or were never told) the name of this series of articles is „What do you think (Joe) Namath thinks of (Bill) Belichick?“. I start this week with what does Namath think of this year’s Patriots.

When I say Namath now lives in California, I don’t mean he spends time in his in-home movie theatre watching old movies of his career.

He does that too, but he must have the cable box hooked up to film classic films like Mr. & Mrs. Smith and Catfish starring his wife on her reemergence in America.

He must see old movies like The Godfather, where this year, he played The Godfather: His Way, the first of his two last movies.

But in this next-to-last movie of his career, Namath did not portray a Godfather and that was a problem. For Godfather III is the first time where a family member was killed off.

In the third film, Carmela, the daughter of Vito Corleone (Peter Clemenza) was killed by Sicilian hit man Guido Sermoneta (Al Pacino). And the movie ends with Vito, who is now nearly 80 years old, comatose in the hospital, surrounded by medical equipment.

Namath was not at ease with the death of his family member.

„When he got into the hospital with a stroke,“ Namath, 72, tells a San Francisco radio station. „I was really worried for him.“

After he was hospitalized for his stroke, Namath tried to remember Vito’s name (The Godfather) on the way to the hospital.

It was not the first time that Namath had been hospitalized.

„I never felt better at a hospital,“ he told the Daily News. „So, I guess I have to be a wimp or something.“

Before the stroke, Namath wondered how he would keep his memory: Whether he would have it if he needed it, he told the News.

„Well, I have the memory of a steel trap,“ he said. „I never worry.“

To say Namath had a great career playing football would be understating it.

He was a four-time All-NFL first team selection, two-time Pro Bowler, and a three-time Super Bowl Champion as a quarterback with the Buffalo Bills

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DirectX: 9.0
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